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Industry:Music
Composer:Gustav Mahler
Orchestra:New York Philharmonic / Berlin Philharmonic
Work:Symphony No. 2 in C Minor / Das Lied von der Erde
Original/Reproduction:Original
Conductor:Otto Klemperer / Bruno Walter
Genre:Classical, Opera & Ballet
Date:1929 / 1935
RARE GUSTAV MAHLER Classical Concert Programs Lot: JUNE 10, 1929GUSTAV MAHLER – Das Lied von der Erde The Berlin Philharmonic – Berliner FestspieleUnder the Direction of BRUNO WALTERSIGRID ONEGIN, SoloistJACQUES URLUS, SoloistSingle Page, Single-Sided December 15 1935 GUSTAV MAHLER – Symphony No. 2 in C MinorThe Philharmonic Symphony Society of New YorkUnder the Direction of OTTO KLEMPERERSUSANNE FISHER, Soprano ENID SZANTHO, Contralto1935-1936 Ninety-Fourth SeasonCarnegie Hall Near Fine to FINE Vintage Condition. The programs are clean, crisp, unmarked, no writing or notes, no stains, no fading, no rips or tears, no edge chipping. Very faint to indiscernible signs of wear from age, use, storage and handling. Free USA Shipping >>>> Symphony No. 2 in C minor by Gustav Mahler, known as the Resurrection Symphony, is arguably the composers most well known and celebrated work. This 1935 concert was directed by Otto Klemperer, a protégé of Mahler, with the New York Philharmonic. It is one of the earliest performances of the symphony. Symphony No. 2 was first recorded in 1925 under the direction of Oskar Fried. Klemperer would go on to record the work himself in 1951 (the first vinyl LP release of the work) with the Vienna Philharmonic. Klemperer recorded the symphony a second time in 1963 with the Philharmonia Orchestra (a recording highly sought after by collectors). The Symphony No. 2 in C minor by Gustav Mahler, known as the Resurrection Symphony, was written between 1888 and 1894, and first performed in 1895. This symphony was one of Mahler’s most popular and successful works during his lifetime. It was his first major work that established his lifelong view of the beauty of afterlife and resurrection. In this large work, the composer further developed the creativity of “sound of the distance” and creating a “world of its own”, aspects already seen in his First Symphony. The work has a duration of 80 to 90 minutes, and is conventionally labelled as being in the key of C minor; the New Grove Dictionary of Music and Musicians labels the work’s tonality as C minor–E♭ major. It was voted the fifth-greatest symphony of all time in a survey of conductors carried out by the BBC Music Magazine. The work was first published in 1897 by Friedrich Hofmeister. The rights were transferred to Josef Weinberger [de] shortly thereafter, and finally to Universal Edition, which released a second edition in 1910. A third edition was published in 1952, and a fourth, critical edition in 1970, both by Universal Edition. As part of the new complete critical edition of Mahler’s symphonies being undertaken by the Gustav Mahler Society, a new critical edition of the Second Symphony was produced as a joint venture between Universal Edition and the Kaplan Foundation. Its world premiere performance was given on 18 October 2005 at the Royal Albert Hall in London with Gilbert Kaplan conducting the Royal Philharmonic Orchestra. Reproductions of earlier editions have been released by Dover and by Boosey & Hawkes. The Kaplan Foundation published an extensive facsimile edition with additional materials in 1986. 1989 saw the publication of an arrangement by Bruno Walter for piano four hands. >>>> Das Lied von der Erde (The song of the Earth) is an orchestral song cycle for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six songs for two singers who alternate movements. Mahler specified that the two singers should be a tenor and an alto, or else a tenor and a baritone if an alto is not available. Mahler composed this work following the most painful period in his life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler’s birth, the composer and prominent Mahler conductor Leonard Bernstein described Das Lied von der Erde as Mahler’s “greatest symphony”. As with his later Symphony No. 9, Mahler did not live to hear Das Lied von der Erde performed. >>>> Gustav Mahler (7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky. Late in his life he was briefly director of New York’s Metropolitan Opera and the New York Philharmonic. Mahler’s œuvre is relatively limited; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler’s works are generally designed for large orchestral forces, symphonic choruses and operatic soloists. These works were frequently controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Second Symphony, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler’s immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Dmitri Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Society was established in 1955 to honour the composer’s life and achievements. >>>> Otto Klemperer (14 May 1885 – 6 July 1973) was a conductor and composer, originally based in Germany, and then the US, Hungary and finally Britain. His early career was in opera houses, but he became better known as a concert-hall conductor. A protégé of the composer and conductor Gustav Mahler, from 1907 Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. Between 1929 and 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. He was from a Jewish family, which caused him to leave Germany in 1933. Shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganized as a permanent ensemble. In the late 1930s Klemperer became ill with a brain tumor. An operation to remove it was successful, but left him lame and partly paralysed on his right side. Throughout his life he had bipolar disorder, and after the operation he went through an intense manic phase of the illness and then a long spell of severe depression. His career was seriously disrupted and did not fully recover until the mid-1940s. He served as the musical director of the Hungarian State Opera in Budapest from 1947 to 1950. Klemperer’s later career centered on London. In 1951 he began an association with the Philharmonia Orchestra. By that time better known for his readings of the core German symphonic repertoire than for experimental modern music, he gave concerts and made almost 200 recordings with the Philharmonia and its successor, the New Philharmonia, until his retirement in 1972. His approach to Mozart was not universally liked, being thought of by some as heavy, but he became widely considered the most authoritative interpreter of the symphonies of Beethoven, Brahms, Bruckner and Mahler. >>>> Bruno Walter (born Bruno Schlesinger, September 15, 1876 – February 17, 1962) was a German-born conductor, pianist, and composer. Born in Berlin, he escaped Germany in 1933, was naturalised as a French citizen in 1938, and settled in the United States in 1939. He worked closely with Gustav Mahler, whose music he helped to establish in the repertory, held major positions with the Leipzig Gewandhaus Orchestra, New York Philharmonic, Concertgebouw Orchestra, Salzburg Festival, Vienna State Opera, Bavarian State Opera, Staatsoper Unter den Linden and Deutsche Oper Berlin, among others, made recordings of historical and artistic significance, and is widely considered to be one of the great conductors of the 20th century.
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